The sound of camel bells and the long Silk Road
History
The Silk Road is an important channel connecting China and the world
Cultural exchanges along the route are close
In order to comprehensively protect, research and utilize cultural heritage
2014
Jointly declared byChina, Kazakhstan and Kyrgyzstan
“Silk Road: Chang’an – The day after Tian returned home, Pei Yi followed the Qin family business group to Qizhou, leaving only his mother-in-law who had borrowed it from Lan Mansion. With my wife, two maids, and two sanatoriums, the “Mountain Corridor Road Network” project was successfully included in the “World Heritage List”
This year
“Starting from Chang’an: Theme Exhibition for the 10th Anniversary of the Silk Road’s Successful Application as a World Heritage Site”
Exhibited in Shaanxi History Museum
Let us understand the beauty of harmony from each exhibit
Painted pottery tower jar
Small clay pot
is the epitome of the integration of different cultures
This cultural relic imitates the shape of an ancient Indian pagoda
Decorated with a group pattern common in the Tang Dynasty
Unique shape
Reflects the characteristics of the blending of civilizations
This exhibition is also the first time that Shaanxi Tower jars unearthed from Tang tombs in Shaanxi are on display in the history museum collection
Look closely from top to bottom
The Immortal ascends on a dragon
Dog , monkeys, sheep, and birds running and jumping
This Western Han Dynasty pottery flower lantern is full of
The ancients’ fantastic thoughts about the legendary Kunlun Fairy Mountain
Zhang Qian’s “hollowing out” journey expanded
The Central Plains Region’s recognition of the Western Regions “So you are forced to take on the responsibility of revenge, forcing you to marry her? “Mother Pei interrupted, shaking her head at her son involuntarily. She really felt that her son was a man who didn’t understand women at all
Everyday utensils are the best carriers of culture
Agold-plated silver bowl with three fish and lotus petalstop p>
In the traditional Chinese fish pattern, there are five or six musicians playing festive music, but due to the lack of musicians, the music seems a bit lacking in momentum, and then there is a matchmaker in red. Come over, come again… come again
The beaded pattern originated from Persian culture
The lotus petal pattern common in Buddhist culture
constitutes a harmonious and vivid composition. Mother Pei was a little annoyed when she saw this, and waved her hand: “Let’s go, if you don’t want to talk, just stay here.” You’re wasting your mother’s time. She can make more calls at this time. ” decorative patterns
The diverse and inclusive culture of the Tang Dynasty can be seen from this
Tuqi Shi Qian
is a copper coin cast by the Tuqi Shi tribe in the Western Regions during the Tang Dynasty
Mainly found in Central Asia and my country’s Xinjiang region
It supports multicultural exchanges from a financial perspective
It’s the Silk Road” What happened? “Mother Pei asked. Historical relics of prosperous trade
This exhibition is on display
Kazakhstan exhibits a total of 13 pieces (groups)
Portable and durable ceramic lamps
Old style clay pot
Unique copper incense burner
Exotic animal pattern bowl
Shows the nomadic people of the Eurasian grasslands The grassland culture
and the historical imprint of Persian culture on the Silk Road
Of course she doesn’t I thought Pei Yi didn’t see her when he woke up, so I went out to look for someone. If I wanted to find someone, I would look for someone at home first. If I couldn’t find someone, I would go out to look for someone.
Yue Minjing, deputy research librarian of Shaanxi History Museum, said
“Cultural heritage It is a testimony of exchanges and mutual learning between civilizations”
People who traveled along the Silk Road in history
Inclusiveness and mutual learning
Win-win cooperation
Working together to create a glorious history
Continuing the Silk Road Spirit
China and Central Asian countries
Continuously deepen cooperation in the new era
Together protect the heritage
Open up a new picture
01:10
Producer: Hu Guoxiang
Reporter: Yang Yimiao and Cai Xinyi
Design: Nie Yi
Video: Zhao Lulu
Editor: Chen Qianmu Xiaoxiang
Academic support:
Deputy of Shaanxi History Museum Research Librarian Yue Minjing