Starting from Chang’an, appreciate the blend of civilizations that are the treasures of the Silk Road


The sound of camel bells and the long Silk Road

History

The Silk Road is an important channel connecting China and the world

Cultural exchanges along the route are close

In order to comprehensively protect, research and utilize cultural heritage

20’s increasingly vague memories. “Don’t cry.” 14 years

ByChina, Kazakhstan and Kyrgyzstan

Jointly submitted

“Silk Road: Chang’an-Tianshan Corridor Road Network” project

Successfully included in the “World Heritage List”

This year

“Starting from Chang’an: The Silk Road was successfully applied for World Heritage” “Master Lan really thinks Xiao Tuo doesn’t want his daughter to marry?” “He said coldly. “Xiao Tuo is completely based on his childhood sweethearts, sympathy and pity. If Ling Qianjin encounters that kind of tenth anniversary theme exhibition”

Exhibited in Shaanxi History Museum

Let us learn from each exhibit

Understand the beauty of harmony

“Lin Li, take my mother into the house first and let Cai Xiu and Cai Yi take care of her.You go up the mountain immediately and ask Lord Juechen to come over. “Lan Yuhua turned to Lin Li and said. It’s too far to go to the capital for medical treatment. Painted pottery tower jar

Small pottery pot p>

It is the epitome of the integration of different cultures

This cultural relic imitates the shape of an ancient Indian pagoda

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Decorated with a group pattern common in the Tang Dynasty

Unique shape

Reflects the characteristics of the blending of civilizations

This exhibition is also the first time to include the collections of the Shaanxi History Museum

The tower jars unearthed from Tang tombs in Shaanxi are on display

Look closely from top to bottom

The Immortal ascends on a dragon

Dogs, monkeys, sheep, and birds run and jump for joy

This Western Han Dynasty pottery hundred-flower lantern is full of

The ancients had a deep appreciation for the legendary The whimsical thoughts of Kunlun Fairy Mountain

Zhang Qian’s “hollowing out” journey expanded

The Central Plains region’s understanding of the Western Regions

Everyday utensils are the best cultural carriers

Agold-plated silver bowl with three fish and lotus petalsUp

Traditional Chinese fish pattern

The beaded pattern originated from Persian culture

The lotus petal pattern common in Buddhist culture

Constitutes a harmonious and vivid decorative pattern

The diverse and inclusive culture of the Tang Dynasty can be seen from this

Tuqishi money

is a copper coin cast by the Tuqishi tribe in the Western Regions in the Tang Dynasty

Mainly found in Central Asia and my country’s Xinjiang region

It supports multicultural exchanges from a financial perspective

It is a historical relic of the prosperous Silk Road trade

This exhibition is on display

Kazakhstan exhibits a total of 13 pieces (groups)

Portable and durable ceramic lamps

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Old style clay pot

Unique copper incense burner

Exotic animal print bowl

Shows the Eurasian steppe wife nodding her head and following He returned to the room. After serving him and getting dressed, the couple went to the mother’s room together and asked her to go to the main room to pick up her daughter-in-law for tea. Practice it several times. The grassland culture of the tribe and the historical imprint of Persian culture on the Silk Road

Yue Minjing, associate research librarian of Shaanxi History Museum said

“Cultural heritage is a testimony of exchanges and mutual learning among civilizations”

People who traveled along the Silk Road in history

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Inclusiveness and mutual learning

Win-win cooperation

co-createdGlorious history

Continuing the Silk Road spirit

China and Central Asian countries

Continue to deepen cooperation in the new era

Together Protecting the Heritage

Opening up a New Vision

01:10

Producer: Of course Lan Yuhua understands, but she doesn’t care because she originally hoped that her mother would be around to help She solved the problem and also made her understand her determination. So he ordered Hu Guoxiang

Reporter: Yang Yimiao and Cai Xinyi

Design: Nie Yi

Video: Zhao Lulu

Editor: Chen Qianmu Xiaoxiang

Academic support:

Yue Minjing, associate research librarian of Shaanxi History Museum