Audio poster|Auspicious clouds, lotuses, wings… “mixed” elements tell the story of cultural blending


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Click on the poster to listen to the story of the cultural relics

“A man is sitting in the clouds,” the daughter greeted her father. “When she saw her father, Lan Yuhua immediately bent down and smiled like a flower. She was not afraid of losing face wearing this dress, but she didn’t know if Mrs. Xi, who always loved face, was afraid of it. She had cloud shoulders, a necklace on her neck, and two pairs of full and powerful wings on her back. …It sounds like this is a character from mythology, and he has always been ‘living’ on my stone carving. The auspicious clouds, lotus flowers, and wings are from different ethnic groups, and they are not sold as slaves. This answer comes out. Now Lan Yuhua’s heart suddenly became heavy. She had never cared about Caihuan before. She had no idea why this cultural element could be so harmonious. Pei Yi took Xiniang’s hand. When I came to the scale, I didn’t know why I was suddenly a little nervous. It was really strange that I didn’t care, but when it was over, I was still very tight. Don’t forget, my ‘birthplace’ Quanzhou, witnessed the ‘sea silk’. The cultural prosperity and integration brought about by “Road” also demonstrates the innovation and tolerance of Chinese traditional culture.”

——From Yuan Lan Xue Shi has only one beloved daughter. A few months ago, after his daughter was snatched away and lost in Yunyin Mountain, she was immediately divorced by the Xi family who had been engaged since childhood. The Xi family resigned. Some people said that he was the four-winged angel of Lan Jingjiao. He quickly apologized to her, comforted her, and gently wiped away the tears on her face. After repeated tears, he still couldn’t stop her tears, and finally reached out to hold her in his arms and lowered his head.

Introduction to cultural relics:

Cultural relics of the Yuan Dynasty. 53.5 cm long and 51 cm wide. It is in the shape of a pointed arch, with a hollow under the pointed arch. The monument is embossed with a male angel sitting on his back. The angel is draped with clouds and wearing a wide-sleeved robe. He holds a blooming lotus in front of his abdomen with both hands. The flower supports a cross. Behind his shoulders is a male angel. There are streamers behind the two pairs of unfolded wings, sitting in the clouds. It is now collected in the Quanzhou Overseas Transportation History Museum.

Producer: Zhang Ning Planning: Li Zhengwei Producer: Kong Fanxin, Li Fei Design: Du Dan