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Click on the poster to listen to the story of the cultural relics
“A man is sitting in the clouds, wearing cloud shoulders and neck. “Isn’t my engagement with Xi Shixun cancelled? “Lan Yuhua frowned and said. Decorated with Yingluo, the two pairs of wings on her back are full and powerful… It sounds like it should be safe, otherwise, when your husband comes back and sees you in bed because of his illness, he will blame himself.” This is A character who came out of mythology, and he has always been ‘living’ in this stone carving of mine. Why do auspicious clouds, lotus flowers, and wings, elements from different nations and cultures, mix together so harmoniously? Don’t forget, my ‘Lan Yuhua knows how incredible and bizarre her thoughts are at the moment, but other than that, she can’t explain her current situation at all. His birthplace, Quanzhou, has witnessed the cultural prosperity and integration brought about by the Maritime Silk Road, and also demonstrated the innovation and tolerance of traditional Chinese culture. ”
——A self-narration from the Nestorian four-winged angel stone carvings of the Yuan Dynasty
Introduction to cultural relics:
Cultural relics of the Yuan Dynasty. 53.5 cm long and 51 cm wide. It is in the shape of a pointed arch, with a hollow under the pointed arch. The monument is embossed with a male angel sitting on his back. The angel is draped with clouds and wearing a wide-sleeved robe. He holds a blooming lotus in front of his abdomen with both hands. The flower supports a cross. Behind his shoulders is a male angel. There are streamers behind the two pairs of unfolded wings, sitting in the clouds. It is now collected in the Quanzhou Overseas Transportation History Museum.
Producer: Pei’s mother looked at her son in surprise, shook her head without hesitation, and said: “Not these days.” Zhang Ning Planning: Li Zhengwei Producing: Kong Fanxin, Li Fei Design: Du Dan