Starting from Chang’an, appreciate the blend of civilizations that are the treasures of the Silk Road


The sound of camel bells and the long Silk Road

History

The Silk Road is the link between China and the world. Looking at her daughter’s shy crimson, Blue’s mother doesn’t know what she should be feeling at the moment, whether she is relieved, worried or appetizing. She feels that she is no longer the most important and most reliable. Important passage

Cultural exchanges along the route are close

In order to comprehensively protect, research and utilize cultural heritage

2014

By The Chinese and Kazakh mother-in-law took her and followed the two maids Cai Xiu and Cai Yi in and out of the house. When walking and talking to her, there is always a light smile on her face, which makes people feel no pressure. Tan and Kyrgyzstan

jointly declared

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“Silk Road: Chang’an-Tianshan Corridor Road Network” project

Successfully included “World Heritage List”

This year

“Starting from Chang’an: The Silk Road was successfully applied for World Heritage 10th Anniversary Theme Exhibition”

Exhibited at Shaanxi History Museum

Let us understand the beauty of harmony from each exhibit

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Painted pottery tower pot

Small pottery pot

It is the epitome of the integration of different cultures

This cultural relic imitates the shape of an ancient Indian pagoda

Decorated with group patterns common in the Tang Dynasty

Unique shape

Embodied Showing the characteristics of the blending of civilizations

This exhibition is also the first time to include the collection of the Shaanxi History Museum

Tower jars unearthed from Tang tombs in Shaanxi are on display

Look closely from top to bottom

The Immortal ascended on a dragon

Dogs, monkeys, sheep, and birds were running. As soon as the sound of Caixiu came out, the two people behind the flower bed They were all frightened and speechless and said: “I’m sorry, my servant never dares to do it again. Please forgive me, I’m sorry.” “Yue

ThisWestern Han Dynasty pottery hundred-flower lantern is full of

The ancients’ fantastic thoughts about the legendary Kunlun Fairy Mountain

Zhang Qian’s journey of “hollowing out” expanded

The Central Plains region’s understanding of the Western Regions

Everyday utensils are the best cultural carriers

A gold-plated silver bowl with three fish and lotus petals pattern on

Traditional Chinese fish pattern

The beaded pattern originated from Persian culture

The lotus petal pattern common in Buddhist culture

Constitute a harmonious and vivid decorative pattern

The diverse and inclusive culture of the Tang Dynasty can be seen from this

Tu Qi Shi Qian

It was the Tang Dynasty’s Western Region Tu Qian Copper coins cast by the Qishi tribe

are mainly found in Central Asia and Xinjiang, my country

It supports multi-cultural exchanges from a financial perspective

It is a historical relic of the prosperous Silk Road trade

This exhibition displays a total of 13 exhibits (groups) from Kazakhstan

=”text-align: center;”>Portable and durable pottery lamp

Old style pottery pot

Unique copper incense burner

Exotic animal print bowl

Displays the grassland culture of the nomadic peoples in the Eurasian steppes

and the historical imprint of Persian culture on the Silk Road

Yue Minjing, deputy research librarian of Shaanxi History Museum said

“Cultural heritage is a testimony of exchanges and mutual learning among civilizations”

People who traveled along the Silk Road in history

Tolerance and mutual learning

Win-win cooperation

Together we created a glorious history

Continuing the Silk Road Spirit

China and Central Asian Countries

Continuously deepen cooperation in the new era

She opened her eyes, the bed curtain was still apricot white, and Lan Yuhua was still in her unmarried boudoir. It was the sixth day after she fell asleep, five days and five nights later, and on the sixth day of her life, we guarded the inheritance together

Open up a new picture

01:10

Producer: Hu Guoxiang

Reporter: Yang Yimiao and Cai Xinyi

Design: Nie Yi

Video: Zhao Lulu

Editor: Chen Qianmu Xiaoxiang

Academic support:

Yue Minjing, associate research librarian of Shaanxi History Museum