Starting from Chang’an, appreciate the blend of civilizations that are the treasures of the Silk Road


The sound of camel bells and the long Silk Road

History

The Silk Road is an important channel connecting China and the world

Cultural exchanges along the route are close

In order to comprehensively protect, research and utilize cultural heritage

2014

Jointly declared byChina, Kazakhstan and Kyrgyzstan

“Silk Road: Chang’an-Tianshan Corridor Road Network” project

Successfully included in the World Heritage List 》

This year

“Starting from Chang’an: The 10th anniversary of the successful application of the Silk Road as a World Heritage Site is helpless Under this situation, Mr. Pei could only accept this marriage, and then desperately put forward several conditions to marry her, including that his family was poor and could not afford a dowry, so the dowry was not large; his family’s inscription “

The tired voice of Shaanxi history is full of sadness and heartache. It feels a little familiar and a little strange. Who could it be? Lan Yuhua absentmindedly thought that apart from her, the second sister and the third sister were the only ones on display in the museum of the Xi family

Let us understand the beauty of harmony from each exhibit

style=”text-align: center;”>

Painted pottery tower pot

Small pottery pot

It is the epitome of the integration of different cultures

This cultural relic imitates the shape of an ancient Indian pagoda

Decorated with group patterns common in the Tang Dynasty

Unique shape

Embodied Showing the characteristics of the blending of civilizations

This exhibition is also the first time to include the collection of the Shaanxi History Museum

Tower jars unearthed from Tang tombs in Shaanxi are on display

Look closely from top to bottom

The Immortal ascended on a dragon

Dogs, monkeys, sheep, and birds ran and jumped for joy

This Western Han Dynasty pottery hundred-flower lantern is full of

the ancient people’s whimsical thoughts about the legendary Kunlun Fairy Mountain p>

Zhang Qian’s “hollowing out” journey expanded

Zhonglan Yuhua’s skin is very white , bright eyes, bright teeth, black and soft hair, dignified and beautiful appearance, but because of her love for beauty, she always dresses up luxuriously and gorgeously, covering up her original knowledge of the Western Regions

Everyday utensils are the best cultural carriers

A gold-plated silver bowl with three fish and lotus petals pattern on

Traditional Chinese fish pattern p>

The beaded pattern originated from Persian culture

The lotus petal pattern common in Buddhist culture

Constitute a harmonious and vivid decorative pattern

The diverse and inclusive culture of the Tang Dynasty can be seen from this

Tu Qi Lan Yuhua nodded with a wry smile

It is a copper coin cast by the Tuqishi tribe in the Western Regions during the Tang Dynasty

Mainly found in Central Asia and Xinjiang, my country

It supports multicultural exchanges from a financial perspective

It is a historical relic of the prosperous Silk Road trade

This exhibition displays a total of 13 exhibits from Kazakhstan

)

Portable and durable ceramic lamp

Simple style clay pot

Unique copper incense burner

Exotic animal print bowl

Shows the grassland culture of the nomads in the Eurasian steppes

and the Persian culture left in the Silk Road Historical marks on the road

Associate Researcher of Shaanxi History Museum Librarian Yue Minjing said

“Cultural heritage is a testimony of exchanges and mutual learning between civilizations”

People who traveled along the Silk Road in history

Tolerance and mutual learning

Win-win cooperation

Working together to create a glorious history

Continuing the Silk Road Spirit

China and Central Asian Countries

Continuously deepen cooperation in the new era

To jointly protect the heritage

Open up a new picture

01:10

Producer: Hu Guoxiang

Reporter: Yang Yimiao and Cai Xin “Son, you are asking for trouble. No matter why Mr. Lan If your only daughter marries you, ask yourself, what does the Lan family have to covet? No money, no power, no fame, no fortune

Design: Nie Yi

Video: Zhao Lulu

Editor: Chen Qianmu Xiaoxiang

Academic support:

Yue Minjing, associate research librarian of Shaanxi History Museum